Yo turn this motherfucking shit up!
Ha ha ha
Rwanda, Nigeria, Africa's in the house
My nigga D.R.
Nigga the red is for the blood in my arm
The black is for the gun in my palm
And the green is for the tram that grows natural
Like locks on Africans
Holdin the smoke from the herb in my abdomen
Camouflage fatigues, and daishikis
Somewhere in between N.W.A. and P.E.
I'm black like Steve Biko
Raised in the ghetto by the people
Fuck the police you know how we do
Ayo my life is like Roots it's a true story
It's too gory for them televised fables on cable
I'ma a runaway slave watching the north star
Shackles on my forearm , runnin with the gun on my palm
I'm an African , never was an African-American
Blacker than black I take it back to my origin
Same skin hated by the klansmen
Big nose and lips, big hips and butts, dancin, what
I'm a African
I'm a African, uhh
And I know what's happenin
I'm a African
I'm a African, uhh
And I know what's happenin
You a African?
You a African?, louder
Do you know what's happenin?
I'm a African
I'm a African, uhh
And I know what's happenin
It's plain to see, you cant change me
cuz I'm a people army for life
Where you from fool?
No I wasn't born in Ghana, but Africa is my momma
And I did not end up here from bad karma
Or from B-Ball, selling mad crack or rappin
Peter Tosh try to tell us what happened
He was sayin if you black then you African
So they had to kill him, and make him a villain
Cuz he was teachin the children
I feel him, he was tryin to drop us a real gem
That's why we bucking holes in the ceilin when we hearin
A-F-R-I-C-A, Puerto Rico, Haiti, and J.A.
New York and Cali, F-L-A
No it aint 'bout where you stay, it's bout the motherland
It's like tank top, flip flop
Knotty dread lock, fuck a cop, hip hop
Make your head bop
Bounce to this, socialist movement
My environment made me the nigga I am
Uncle Sam came and got me and arrested my fam
Try to infiltrate and murder off the best of my clan
I'm not American, punk, Democrat, or Republican
Remember that, most of the cats we know, be hustlin
My momma work, all her life and still strugglin
I blame it on the government and say it on the radio
(What) and if you don't already know
All these Uncle Tom ass kissin niggas gotta go
Sunday, September 19, 2010
Thursday, September 16, 2010
rise of crust
I touched on this in MRR a few years ago but after some discussion on the PE message board I’d like to enter my opinions on the Rise of Crust. First of all, I use two terms quite frequently, Crust and Crusty hardcore or Crust-Core. I’d like to explain the difference before we proceed. To me true Crust is very metallic, like Hellbastard, Concrete Sox, Deviated Instinct or later Amebix. Crusty Hardcore or Crust Core on the other hand is pretty much based in thrash and dis core such as Disrupt, Extreme Noise Terror, and Doom. Also some bands that have a big crust following I would argue are neither, Napalm Death were very popular during the rise of crust but their music is probably better described as Grind Core or later on Death Metal. Similarly Resist and Deprived were big in the crust scene but played more traditional Punk Rock. This month we will begin our examination of the rise of crust with the early English scene. American crust (Nausea, A//solution, etc) we will deal with next issue.
A note on my personal involvement: The rise of crust occurred when I was in my late teens and early 20s. I was a very active participant in this scene. I was doing a small distro, tape trading, reading zines and writing for PE, which covered a lot of these bands. By the late 80’s hardcore in the USA was pretty beat. With the exception of Straight Edge Youth Crew most bands were playing bad metal or indie rock. I had been really into the early 80’s UK bands like Discharge, Conflict and Icons of Filth. And it was towards England that my ears were turned in the late 80’s. I was at the “import” section of the record store every week looking for the latest from Heresy, Concrete Sox, Disorder, Napalm Death, Ripchord and Legion Of Parasites. However, I was not on the scene in England and experienced the Rise of Crust vicariously through fanzines, pen pals and tape and record trading. So any errors, omissions and half-baked opinions result from me being thus far removed from the action. The PE letter column next issue will be filled with scathing letters from people who were in England in the 80’s telling me I got it all wrong, I’m sure.
I don’t feel that Crust started with just one band. It was a number of influences coming together at the same time colliding for a brief point then each process of musical progression continuing on it’s course. Undeniably Crust started in England. It took much of its politics, lifestyle and ethics from the early 80’s peace punk/anarcho punk movement. But musically it borrowed heavily from both American and British Metal, US Hardcore, Brazilian, Scandinavian and Japanese hardcore. Ironically, much of the music that was to influence early crust was in turn influence by early UK punk/hardcore bands like Discharge, Disorder and Chaos UK.
I think the most important influences on the more metallic Crust were bands like Antisect, Anti System, Sacrilege, Amebix and the last Varukers LP (one struggle one fight) These were bands that started in the peace punk scene but played more hardcore style. As metal influence started to grow in hardcore around 84-85 many of these bands took on distinct metal influence. Note of course this was the same time American bands like DRI, Doctor Know, Corrosion of Conformity and such were “crossing over” into metal territory. One principal difference was the political stance went with the UK bands while the American bands dropped most of their politics and embraced the music industry. This was a critical point in the development of what would today be called DIY ethics. Also metal pioneers such as Motorhead, Hellhammer/Celtic Frost and Trouble certainly had their influence in the heavy riff and rhythm department.
I think Amebix and Antisect were the first true Crust bands. Both bands however, started out playing in a more different style and by their later releases evolved into the new style that became known as Crust. Amebix first two 7”s Winter and Beginning of the End are more influenced by bands like Killing Joke and UK Decay. The aesthetic though was dead on, post apocalyptic dark and morbid. Life in a nuclear winter, a scarred barren earth, the cold embers that the meek would inherit after mankind wasted the planet. The No Sanctuary 12” we begin to see their dark hardcore sound develop more into what we would think of as Crust. The titanic 1985 Arise LP really codified that sound, the dark grinding mix of early anarcho punk/ dark hardcore and Motorhead. The final Amebix LP Monolith is a little too metal and over produced for my liking, but it’s most people’s favorite. Here the Amebix really turned up the metal and Motorhead influence to create one of the definitive Crust LPs.
Antisect’s self titled 1983 LP is powerful and dark anarcho punk/HC but to me it’s not really a crust record. The Out From the Void 7” released in 1985 however, is pure Crust genius, a genre defining record in terms of style and music. There were some demos recorded in this period as well (85-86) that I think really set the tone for bands that were emerging at the time such as Deviated Instinct and Hellbastard.
First Hellbastard. Their 1986 RipperCrust Demo was the first time I remember hearing the term Crust used. Hellbastard’s first two demos Ripper Crust and Hate Militia (Ripper Crust was later bootlegged on vinyl) along with the LP Heading for Internal Darkness are among my favorite early crust releases. I would say that if I had to pick a record/band/sound to define what I thought was “true” Crust I would pick this early Hellbastard stuff. There is also an early Hellbastard 7” They Brought Death on a German Label. Hellbastard’s later material is pretty predictable metal. But the early stuff has all the elements of truly great crust. Gruff, usually reverb drenched vocals, grinding, churning metal edged riffs, pounding bass, and wicked but brief leads.
Along with Amebix, Antisect and Hellbastard the most “true” early crust band in my opinion is Deviated Instinct. Their two demos Tip of the Iceberg and Terminal Filth Stenchcore were followed by the 1987 7” Welcome to the Orgy on Peaceville, the label with whose name the rise of crust will forever be linked. Welcome to the Orgy was followed by 1988’s Rock and Roll Conformity LP also on Peaceville. Deviated Instinct had the metallic grinding riffs that really defined the more metallic crust, that chug, chug, chug wail, chug, chug, chug wail with the stops and starts accentuated and some double bass beneath the surface. They also had the look down with the black and white record covers featuring the bizarre mix of Celtic motifs and metal looking ghouls and demons, some how tied into anarcho punk politics.
Concrete Sox was one of the first UK bands to drift heavily from hardcore into metal territory. Their 1985 LP, You’re Turn Next featured some blazing metal leads and chugging metal riffs. I always felt that the early Concrete Sox stuff was more influence by Thrash Metal like Metallica and Kreator than traditional UK crust influences like Antisect and Discharge. But I think a lot of people would want to argue that point with me. Suffice it to say this is more thrash-influenced crust as opposed to say Amebix more Motorhead influenced crust. Perhaps it’s just the guitar tone, which makes me think metal as I don’t think Sox was tuned as low or produced to maximize the bass as much.
Two bands I think are very important to metallic crust, but don’t strike me as truly being Crust bands themselves are Bolt Thrower and Sacrilege. I’d have to qualify both these bands as hardcore/crust influence but pretty much Metal. The First Bolt Thrower LP In Battle There is No Law certainly has elements of Crust and Hardcore and appealed to a crust audience. Likewise, Sacrilege started out playing fast metal influence hardcore, especially the Sacrilege tracks on We Won’t be Your Fucking Poor, and Angelic Scrape Attic flexi. But the first LP they were already pretty deep into metal territory. And both Bolt Thrower and Sacrilege were full on metal by their second LPs. (as was Hellbastard I must note) That said Sacrilege Behind the Realms of Madness and the first Bolt Thrower LP are two absolute total classics, near perfect mixes of metal and hardcore.
Axegrinder played a grinding crust very reminiscent of Amebix and Antisect. Their Grind the Enemy Demo is much more raw and Antisect sounding. It was another year or two later that the Rise of Serpent Men LP was released on Peaceville, recorded in 1988 but I don’t think it came out until 1990. This LP is probably the last of the truly great early crust records out of England. The production on this LP leans a little more towards a professional sounding metal LP but it’s crisp compared to some of the muddy early crust stuff. Axegrinder is probably the only band to come close to the Amebix playing dark heavy crust.
Some other bands that I think were influential to early Crust were AOA, Anti System and Legion of Parasites. AOA were more straight ahead hardcore in the Crucifix/Discharge style. They did an LP and a split LP with Oi Polloi, which are both excellent. Anti System started out more in the Discharge/Icons of Filth style but added an increasing degree of metal influence to their sound. They did a 7” In Defense of the Realm, an LP No Laughing Matter a split 7” with Morbid Humor and a final LP A look at Life. Personally, I think their earlier more straight ahead hardcore material is the best. Legion of Parasites 1984 LP Unexpected Guests is more straight ahead hardcore punk but their second LP Prison of Life brings in some crust influence and their final 1987 LP delves into metal territory rather unsuccessfully.
Electro Hippies were another critical early crust band that mixed fast thrash with metallic crust. I first remember hearing them on the Digging In Water comp. They did two demos Killing Babies for Profit and Killing Babies is Tight. These were followed by the split LP with Generic then the Only Good Punk Is a Dead one LP. Also recommended is the Electro Hippies Peel Sessions LP. There are two later live LPs but personally, I’m not too into live hardcore records.
Also very important to early crust but not really a crust band is Napalm Death. Napalm Death also started out playing more traditional anarcho punk (the Hatred Surge Demo) but soon the line up changed and they headed off into uncharted territory and pretty much jump-started the Grindcore scene. Granted they were influenced by fast HC like Larm and Pandemonium as well as metal like Repulsion but Napalm Death really put all the pieces together to create the brutal fast grindcore sound imitated ever since. The Scum LP was so incredibly ahead of it’s time in speed and ferocity and in my opinion is a total genre defining record that has never, and can never be equaled. Still, I wouldn’t really consider Napalm Death to be Crust, but they were certainly influential in the days of the Rise of Crust.
Crusty Hardcore or Crust Core is the other “wing” of the crust movement. I would differentiate crust core musically as being more influenced by fast hardcore and thrash than metal or motorhead. Aesthetically and politically though, crust core is almost exactly like the more metallic crust. In my opinion the two definitive crust core bands are Extreme Noise Terror and Doom. As alluded too above these bands drew their influences heavily from Japanese, Brazilian and Scandinavian hardcore bands of the 80’s. Discharge, Vaurukers, Chaos UK and Disorder ironically enough had influenced those bands. I think the “gruff” vocal style comes mainly from the Brazilian bands. A lot of the early 80’s Brazilian hardcore singers had really gruff, gravelly vocals. But the speed and fast paced stops and starts certainly come from Japanese bands like Systematic Death, Gauze and Lip Cream. Likewise the brutal Dis-core sounds of Doom seem to be like Discharge filtered through Sweden and bands like Anti Cimex, Shitlickers, Bombanfall and Crude SS.
The first true crust core record in my opinion is the Extreme Noise Terror side of the “earslaughter” split with Chaos UK. This was a totally mind blowing record when it came out. Chaos UK was playing balls out thrash and ENT was just in a league of their own with those insane vocals and fast crushing riffs. The only thing I remember being this intense about 1986-87 was the Thrash Til Death Comp and Napalm Death “Scum” LP. ENT followed this up in 1989 with Holocaust in Your Head, which is an incredibly powerful crusty hardcore assault. There are also several peel sessions, and a live bootleg LP from this time period. The last of the critical early ENT records was the split LP with FilthKick, In It For Life. Which should be every true punk’s motto.
Doom is probably my all time favorite Crust Core band. I probably like them so much since Discharge and the Scandinavian bands that imitated them are my all time favorites. Doom took the Dis Core style and tuned it down even lower and made it more brutal, then threw in sick thrash parts and gruff vocals for the ultimate crust brutality. The 1988 War Crimes LP ripped a page out of the Discharge book aesthetically featuring pictures of war victims and casualties of bomb attacks. This is played out today, but at the time it was a breath of fresh air to see a band going back to the roots instead of trying to play metal or indie rock. (We’ll cover Dis Core like Disaster and Discard some other time) In 1989 Doom returned with a split LP with No Security from Sweden. This LP had even faster roaring riffs that just intensified the brutality. Soon after there was the Police Bastard 7” that has been pressed numerous times in the UK and the US and is still a crust classic. There is an LP of Doom Peel Sessions from this era that is pretty boss as well.
Atavistic was another early crust band that really turned up the speed. In fact their speed approaches grind core levels but they weren’t really tight and precise enough for me to consider them grind. More like a crust core wall of noise. They did two critical 7”s Life During Wartime and Equilibrium, as well as a demo From Within. Their LP on Profane Existence, I thought was rather disappointing. I hope I don’t get fired for saying that.
Two bands that were important to UK hardcore at the time but weren’t really crust were of course Heresy and Ripchord. These bands were more traditional 80’s style hardcore, but at much higher speeds. I think those bands are more like 80’s Italian hardcore or Dutch Hardcore (which in turn were influenced by US bands, note the flannels and bandanas) than the UK crust bands.
Some important early crust comps are the Vile Peace LP on Peaceville; the Hiatus comp on Peaceville, and both volumes of Hardcore Holocaust that featured Peel Sessions stuff. Also cool was the Grind Crusher comp (more metal than crust) and the Digging in Water comp, which has a lot of straight up punk stuff too, but at least to me, was pretty influential in exposing some new bands.
I think that just about covers all the important early UK crust bands. As I mentioned above-There was an eager audience for this new stuff in the USA. You could argue that bands like Nausea, Disrupt, Apocalypse, Glycine Max, A//solution, Antischism, Confrontation, and Destroy were imitating the UK sound of the time, or that the music was developing simultaneously on both continents. But that is a story for another time.
A note on my personal involvement: The rise of crust occurred when I was in my late teens and early 20s. I was a very active participant in this scene. I was doing a small distro, tape trading, reading zines and writing for PE, which covered a lot of these bands. By the late 80’s hardcore in the USA was pretty beat. With the exception of Straight Edge Youth Crew most bands were playing bad metal or indie rock. I had been really into the early 80’s UK bands like Discharge, Conflict and Icons of Filth. And it was towards England that my ears were turned in the late 80’s. I was at the “import” section of the record store every week looking for the latest from Heresy, Concrete Sox, Disorder, Napalm Death, Ripchord and Legion Of Parasites. However, I was not on the scene in England and experienced the Rise of Crust vicariously through fanzines, pen pals and tape and record trading. So any errors, omissions and half-baked opinions result from me being thus far removed from the action. The PE letter column next issue will be filled with scathing letters from people who were in England in the 80’s telling me I got it all wrong, I’m sure.
I don’t feel that Crust started with just one band. It was a number of influences coming together at the same time colliding for a brief point then each process of musical progression continuing on it’s course. Undeniably Crust started in England. It took much of its politics, lifestyle and ethics from the early 80’s peace punk/anarcho punk movement. But musically it borrowed heavily from both American and British Metal, US Hardcore, Brazilian, Scandinavian and Japanese hardcore. Ironically, much of the music that was to influence early crust was in turn influence by early UK punk/hardcore bands like Discharge, Disorder and Chaos UK.
I think the most important influences on the more metallic Crust were bands like Antisect, Anti System, Sacrilege, Amebix and the last Varukers LP (one struggle one fight) These were bands that started in the peace punk scene but played more hardcore style. As metal influence started to grow in hardcore around 84-85 many of these bands took on distinct metal influence. Note of course this was the same time American bands like DRI, Doctor Know, Corrosion of Conformity and such were “crossing over” into metal territory. One principal difference was the political stance went with the UK bands while the American bands dropped most of their politics and embraced the music industry. This was a critical point in the development of what would today be called DIY ethics. Also metal pioneers such as Motorhead, Hellhammer/Celtic Frost and Trouble certainly had their influence in the heavy riff and rhythm department.
I think Amebix and Antisect were the first true Crust bands. Both bands however, started out playing in a more different style and by their later releases evolved into the new style that became known as Crust. Amebix first two 7”s Winter and Beginning of the End are more influenced by bands like Killing Joke and UK Decay. The aesthetic though was dead on, post apocalyptic dark and morbid. Life in a nuclear winter, a scarred barren earth, the cold embers that the meek would inherit after mankind wasted the planet. The No Sanctuary 12” we begin to see their dark hardcore sound develop more into what we would think of as Crust. The titanic 1985 Arise LP really codified that sound, the dark grinding mix of early anarcho punk/ dark hardcore and Motorhead. The final Amebix LP Monolith is a little too metal and over produced for my liking, but it’s most people’s favorite. Here the Amebix really turned up the metal and Motorhead influence to create one of the definitive Crust LPs.
Antisect’s self titled 1983 LP is powerful and dark anarcho punk/HC but to me it’s not really a crust record. The Out From the Void 7” released in 1985 however, is pure Crust genius, a genre defining record in terms of style and music. There were some demos recorded in this period as well (85-86) that I think really set the tone for bands that were emerging at the time such as Deviated Instinct and Hellbastard.
First Hellbastard. Their 1986 RipperCrust Demo was the first time I remember hearing the term Crust used. Hellbastard’s first two demos Ripper Crust and Hate Militia (Ripper Crust was later bootlegged on vinyl) along with the LP Heading for Internal Darkness are among my favorite early crust releases. I would say that if I had to pick a record/band/sound to define what I thought was “true” Crust I would pick this early Hellbastard stuff. There is also an early Hellbastard 7” They Brought Death on a German Label. Hellbastard’s later material is pretty predictable metal. But the early stuff has all the elements of truly great crust. Gruff, usually reverb drenched vocals, grinding, churning metal edged riffs, pounding bass, and wicked but brief leads.
Along with Amebix, Antisect and Hellbastard the most “true” early crust band in my opinion is Deviated Instinct. Their two demos Tip of the Iceberg and Terminal Filth Stenchcore were followed by the 1987 7” Welcome to the Orgy on Peaceville, the label with whose name the rise of crust will forever be linked. Welcome to the Orgy was followed by 1988’s Rock and Roll Conformity LP also on Peaceville. Deviated Instinct had the metallic grinding riffs that really defined the more metallic crust, that chug, chug, chug wail, chug, chug, chug wail with the stops and starts accentuated and some double bass beneath the surface. They also had the look down with the black and white record covers featuring the bizarre mix of Celtic motifs and metal looking ghouls and demons, some how tied into anarcho punk politics.
Concrete Sox was one of the first UK bands to drift heavily from hardcore into metal territory. Their 1985 LP, You’re Turn Next featured some blazing metal leads and chugging metal riffs. I always felt that the early Concrete Sox stuff was more influence by Thrash Metal like Metallica and Kreator than traditional UK crust influences like Antisect and Discharge. But I think a lot of people would want to argue that point with me. Suffice it to say this is more thrash-influenced crust as opposed to say Amebix more Motorhead influenced crust. Perhaps it’s just the guitar tone, which makes me think metal as I don’t think Sox was tuned as low or produced to maximize the bass as much.
Two bands I think are very important to metallic crust, but don’t strike me as truly being Crust bands themselves are Bolt Thrower and Sacrilege. I’d have to qualify both these bands as hardcore/crust influence but pretty much Metal. The First Bolt Thrower LP In Battle There is No Law certainly has elements of Crust and Hardcore and appealed to a crust audience. Likewise, Sacrilege started out playing fast metal influence hardcore, especially the Sacrilege tracks on We Won’t be Your Fucking Poor, and Angelic Scrape Attic flexi. But the first LP they were already pretty deep into metal territory. And both Bolt Thrower and Sacrilege were full on metal by their second LPs. (as was Hellbastard I must note) That said Sacrilege Behind the Realms of Madness and the first Bolt Thrower LP are two absolute total classics, near perfect mixes of metal and hardcore.
Axegrinder played a grinding crust very reminiscent of Amebix and Antisect. Their Grind the Enemy Demo is much more raw and Antisect sounding. It was another year or two later that the Rise of Serpent Men LP was released on Peaceville, recorded in 1988 but I don’t think it came out until 1990. This LP is probably the last of the truly great early crust records out of England. The production on this LP leans a little more towards a professional sounding metal LP but it’s crisp compared to some of the muddy early crust stuff. Axegrinder is probably the only band to come close to the Amebix playing dark heavy crust.
Some other bands that I think were influential to early Crust were AOA, Anti System and Legion of Parasites. AOA were more straight ahead hardcore in the Crucifix/Discharge style. They did an LP and a split LP with Oi Polloi, which are both excellent. Anti System started out more in the Discharge/Icons of Filth style but added an increasing degree of metal influence to their sound. They did a 7” In Defense of the Realm, an LP No Laughing Matter a split 7” with Morbid Humor and a final LP A look at Life. Personally, I think their earlier more straight ahead hardcore material is the best. Legion of Parasites 1984 LP Unexpected Guests is more straight ahead hardcore punk but their second LP Prison of Life brings in some crust influence and their final 1987 LP delves into metal territory rather unsuccessfully.
Electro Hippies were another critical early crust band that mixed fast thrash with metallic crust. I first remember hearing them on the Digging In Water comp. They did two demos Killing Babies for Profit and Killing Babies is Tight. These were followed by the split LP with Generic then the Only Good Punk Is a Dead one LP. Also recommended is the Electro Hippies Peel Sessions LP. There are two later live LPs but personally, I’m not too into live hardcore records.
Also very important to early crust but not really a crust band is Napalm Death. Napalm Death also started out playing more traditional anarcho punk (the Hatred Surge Demo) but soon the line up changed and they headed off into uncharted territory and pretty much jump-started the Grindcore scene. Granted they were influenced by fast HC like Larm and Pandemonium as well as metal like Repulsion but Napalm Death really put all the pieces together to create the brutal fast grindcore sound imitated ever since. The Scum LP was so incredibly ahead of it’s time in speed and ferocity and in my opinion is a total genre defining record that has never, and can never be equaled. Still, I wouldn’t really consider Napalm Death to be Crust, but they were certainly influential in the days of the Rise of Crust.
Crusty Hardcore or Crust Core is the other “wing” of the crust movement. I would differentiate crust core musically as being more influenced by fast hardcore and thrash than metal or motorhead. Aesthetically and politically though, crust core is almost exactly like the more metallic crust. In my opinion the two definitive crust core bands are Extreme Noise Terror and Doom. As alluded too above these bands drew their influences heavily from Japanese, Brazilian and Scandinavian hardcore bands of the 80’s. Discharge, Vaurukers, Chaos UK and Disorder ironically enough had influenced those bands. I think the “gruff” vocal style comes mainly from the Brazilian bands. A lot of the early 80’s Brazilian hardcore singers had really gruff, gravelly vocals. But the speed and fast paced stops and starts certainly come from Japanese bands like Systematic Death, Gauze and Lip Cream. Likewise the brutal Dis-core sounds of Doom seem to be like Discharge filtered through Sweden and bands like Anti Cimex, Shitlickers, Bombanfall and Crude SS.
The first true crust core record in my opinion is the Extreme Noise Terror side of the “earslaughter” split with Chaos UK. This was a totally mind blowing record when it came out. Chaos UK was playing balls out thrash and ENT was just in a league of their own with those insane vocals and fast crushing riffs. The only thing I remember being this intense about 1986-87 was the Thrash Til Death Comp and Napalm Death “Scum” LP. ENT followed this up in 1989 with Holocaust in Your Head, which is an incredibly powerful crusty hardcore assault. There are also several peel sessions, and a live bootleg LP from this time period. The last of the critical early ENT records was the split LP with FilthKick, In It For Life. Which should be every true punk’s motto.
Doom is probably my all time favorite Crust Core band. I probably like them so much since Discharge and the Scandinavian bands that imitated them are my all time favorites. Doom took the Dis Core style and tuned it down even lower and made it more brutal, then threw in sick thrash parts and gruff vocals for the ultimate crust brutality. The 1988 War Crimes LP ripped a page out of the Discharge book aesthetically featuring pictures of war victims and casualties of bomb attacks. This is played out today, but at the time it was a breath of fresh air to see a band going back to the roots instead of trying to play metal or indie rock. (We’ll cover Dis Core like Disaster and Discard some other time) In 1989 Doom returned with a split LP with No Security from Sweden. This LP had even faster roaring riffs that just intensified the brutality. Soon after there was the Police Bastard 7” that has been pressed numerous times in the UK and the US and is still a crust classic. There is an LP of Doom Peel Sessions from this era that is pretty boss as well.
Atavistic was another early crust band that really turned up the speed. In fact their speed approaches grind core levels but they weren’t really tight and precise enough for me to consider them grind. More like a crust core wall of noise. They did two critical 7”s Life During Wartime and Equilibrium, as well as a demo From Within. Their LP on Profane Existence, I thought was rather disappointing. I hope I don’t get fired for saying that.
Two bands that were important to UK hardcore at the time but weren’t really crust were of course Heresy and Ripchord. These bands were more traditional 80’s style hardcore, but at much higher speeds. I think those bands are more like 80’s Italian hardcore or Dutch Hardcore (which in turn were influenced by US bands, note the flannels and bandanas) than the UK crust bands.
Some important early crust comps are the Vile Peace LP on Peaceville; the Hiatus comp on Peaceville, and both volumes of Hardcore Holocaust that featured Peel Sessions stuff. Also cool was the Grind Crusher comp (more metal than crust) and the Digging in Water comp, which has a lot of straight up punk stuff too, but at least to me, was pretty influential in exposing some new bands.
I think that just about covers all the important early UK crust bands. As I mentioned above-There was an eager audience for this new stuff in the USA. You could argue that bands like Nausea, Disrupt, Apocalypse, Glycine Max, A//solution, Antischism, Confrontation, and Destroy were imitating the UK sound of the time, or that the music was developing simultaneously on both continents. But that is a story for another time.
BoomBox 9-16-10
Stic man & Outlawz Young Noble - Young Black and Just Don't a Fuck
MALCOLM X:"Who Taught You To Hate Yourself?"
dead prez - Psychology
DJ Muggs vs. Ill Bill “Illmuniati 666″
Slaine (La Coka Nostra) “99 Bottles”
dead prez - Animal in man
Dead Prez Stic man & Outlawz Young Noble - Tryin' to Make a Livin
MALCOLM X:"Who Taught You To Hate Yourself?"
dead prez - Psychology
DJ Muggs vs. Ill Bill “Illmuniati 666″
Slaine (La Coka Nostra) “99 Bottles”
dead prez - Animal in man
Dead Prez Stic man & Outlawz Young Noble - Tryin' to Make a Livin
Wednesday, September 8, 2010
NO More Cops
I dreamed last night No more cops
It felt alright No more cops
No need to fight No more cops
'Cause no one needs to steal
Everyone gets a meal
If it was only real
We'd need no more cops
I dreamed last night no police
An army-less world doomed to peace
And now as all my dreaming stops
I see it clear, we need no more cops
No need to fear
I'd want to cheer
And I wish you were here
Before my slumber stops
It seems to me
That if we're really free
We need no more cops
No Holy War No more God
No more rent No more deeds
No more money No more greed
No more hate No more fear
No one unhappy No one sad
No one ripped off No one mad
But I awake Here instead
I wish I had Stayed in bed
I'd stay asleep in the deep
And in my thoughts I'd keep
No more cops
When life gets mean
Share in the dream
Until you scream - no more cops
I dreamed late last night
No more cops
No more cops
No more cops
It felt alright No more cops
No need to fight No more cops
'Cause no one needs to steal
Everyone gets a meal
If it was only real
We'd need no more cops
I dreamed last night no police
An army-less world doomed to peace
And now as all my dreaming stops
I see it clear, we need no more cops
No need to fear
I'd want to cheer
And I wish you were here
Before my slumber stops
It seems to me
That if we're really free
We need no more cops
No Holy War No more God
No more rent No more deeds
No more money No more greed
No more hate No more fear
No one unhappy No one sad
No one ripped off No one mad
But I awake Here instead
I wish I had Stayed in bed
I'd stay asleep in the deep
And in my thoughts I'd keep
No more cops
When life gets mean
Share in the dream
Until you scream - no more cops
I dreamed late last night
No more cops
No more cops
No more cops
Tuesday, September 7, 2010
Forward
Here's to the crazy ones. The misfits. The rebels. The trouble-makers. The round heads in the square holes. The ones who see things differently. They're not fond of rules, and they have no respect for the status-quo. You can quote them, disagree with them, glorify, or vilify them. But the only thing you can't do is ignore them. Because they change things. They push the human race forward. And while some may see them as the crazy ones, we see genius. Because the people who are crazy enough to think they can change the world, are the ones who do.♥
Blowfly
It's a sure sign that an album is nasty when it takes a strong stomach just to review it. Miami-bred rapper Blowfly's latest release, Live at the Platypussery, is just that type of hilariously crass disc. It was recorded live in Melbourne, Australia, and it's full of funny yet crude lyrics that make Blowfly seem like a dirty-minded first-grader sitting in the back of the classroom telling jokes. On first listening to the 19 tracks on this album, you'll do more than a few double-takes and ask yourself, "Did he just say that?" Of course he did. That's what makes the 63-year-old dirty rapper an icon within filth-rock circles, and it's what gives the caped crusader an audience in which to spew his hip-hop vitriol.
The fact that Blowfly (born Clarence Reid) likes to rap about wet pussy, old pussy, fat pussy, and smelly pussy is not news. What's clever, however, is the way Blowfly takes already established standards on this disc and turns them into his own freaky-deaky platforms. Sam and Dave's "Soul Man" becomes "Hole Man." The Clash's "Should I Stay or Should I Go?" turns into "Should I Fuck This Big Fat Ho?" The jokes never stop, and songs like "Pussy Hell" and "R. Kelly in Cambodia" will satisfy your craving for slapstick comedy. What shouldn't be overlooked is the tight musicianship. Most of these kinky covers are played letter-perfect, and Blowfly's 45-year reign as one of the most creative songwriters in South Florida music remains intact. There's plenty of wit thrown into these compositions, and once your gag reflex subsides, dissect these songs properly and you'll find genius below the surface.
The fact that Blowfly (born Clarence Reid) likes to rap about wet pussy, old pussy, fat pussy, and smelly pussy is not news. What's clever, however, is the way Blowfly takes already established standards on this disc and turns them into his own freaky-deaky platforms. Sam and Dave's "Soul Man" becomes "Hole Man." The Clash's "Should I Stay or Should I Go?" turns into "Should I Fuck This Big Fat Ho?" The jokes never stop, and songs like "Pussy Hell" and "R. Kelly in Cambodia" will satisfy your craving for slapstick comedy. What shouldn't be overlooked is the tight musicianship. Most of these kinky covers are played letter-perfect, and Blowfly's 45-year reign as one of the most creative songwriters in South Florida music remains intact. There's plenty of wit thrown into these compositions, and once your gag reflex subsides, dissect these songs properly and you'll find genius below the surface.
Friday, September 3, 2010
GrindCore
Grindcore, often shortened to grind, is an evolution of hardcore punk, most commonly associated with death metal and crust punk. Grindcore is characterized by heavily distorted, down-tuned guitars, blastbeats, hardcore punk and crossover thrash influenced riffing, short songs, and a vocal style consisting of growls and higher-pitched vocals, often similar to those found in black metal. Lyrical concepts range from social and political issues to gore and horror to humor.
The genre was pioneered during the mid-1980s in the United Kingdom by bands such as Napalm Death and Sore Throat, the name "grindcore" having actually being coined by Napalm Death's drummer Mick Harris, though its roots are in American hardcore punk and hardcore punk influenced heavy metal bands, such as Siege, D.R.I., Deep Wound, and Repulsion.
Many of the early bands were seen by their contemporaries as part of the anarcho-punk and hardcore punk scenes, as many anarcho-punk and peace punk bands in England and hardcore punk bands in the United States had already incorporated elements of metal into their music. Many of these early bands were, and still are, obscure. For instance, the hardcore punk band Siege only released one do-it-yourself demo entitled Drop Dead, and Repulsion was posthumously exposed to the world in 1989 through the album Horrified, which was released in Europe through Carcass-owned Necrosis Records, despite having originally been recorded in 1987.
One well-known characteristic of grindcore and related genres is the "microsong;" songs lasting seconds. Clocking in at just over one second long, the Napalm Death song "You Suffer" often credited as being the shortest song ever, and in 2001, the Guinness Book Of World Records awarded Brutal Truth the record for "Shortest Music Video" for 1994's "Collateral Damage." However, others, such as the Cripple Bastards on their demo 94 Flashback di un Massacro and Agoraphobic Nosebleed on their 3" CD/10" LP Altered States of America, have taken this aesthetic to even greater extremes. Altered States of America contains 100 songs, with song length ranging from four seconds to, at most, one minute, adding up to a total play time of about 20 to 30 minutes. American grindcore band Anal Cunt, a project of Seth Putnam, has recorded an album entitled 5643 Song EP, an EP which contains 5643 "songs" in less than 15 minutes by way of creative multitracking and recording processes.
Subgenres
Cybergrind (also known as E-Grind): Cybergrind is a form of grindcore heavily influenced by electronic music that, aside from the instruments used in ordinary grindcore, uses computer generated sounds and/or drum machines and other synthetic instruments. Cybergrind often bears similarities to extreme forms of breakcore.
Deathgrind: A grindcore/death metal hybrid, often with focus on the technicality of death metal and intensity of grindcore. Cattle Decapitation, mid-period Carcass, and recent Napalm Death fall into this genre.
Goregrind: A form of grindcore characterized by pitchshifted vocals as well as gore and/or horror themes. Regurgitate and Reek of Putrefaction era Carcass may be the most well-known of the goregrind groups.
Noisegrind: Grindcore with an emphasis on noise and or speed rather than musicianship. Other features include feedback, out of tune or improvised instruments, and poor production. Most noisegrind bands do not take themselves seriously, and consist of only a few members, normally a vocalist, drummer (or a drum machine), and guitarist. Examples of noisegrind bands include: Anal Cunt, Anal Massaker, and Gore Beyond Necropsy.
Pornogrind: Grindcore characterized by sexual themes, vocals that range from pitchshifted growls to absurdly high-pitched screams, and an emphasis on groove. Pornogrind bands include: GUT, early Cock and Ball Torture, and Gronibard.
Power violence: Grindcore stripped of its thrash metal elements, thus focusing more on its hardcore punk origins. Power violence songs are normally short and fast. Examples of power violence bands include: Charles Bronson and Fuck on the Beach. No relation to power metal or power rock.
Grindpunk: Grindcore and blastbeat drumming mixed with punk rock/hardcore rhythms. Vocals usually range from high screams to low crusty grunts. Lyrics are usually political and social commentary. Examples of Grindpunk are Disassociate from N.Y.C. and Phobia from California.
The genre was pioneered during the mid-1980s in the United Kingdom by bands such as Napalm Death and Sore Throat, the name "grindcore" having actually being coined by Napalm Death's drummer Mick Harris, though its roots are in American hardcore punk and hardcore punk influenced heavy metal bands, such as Siege, D.R.I., Deep Wound, and Repulsion.
Many of the early bands were seen by their contemporaries as part of the anarcho-punk and hardcore punk scenes, as many anarcho-punk and peace punk bands in England and hardcore punk bands in the United States had already incorporated elements of metal into their music. Many of these early bands were, and still are, obscure. For instance, the hardcore punk band Siege only released one do-it-yourself demo entitled Drop Dead, and Repulsion was posthumously exposed to the world in 1989 through the album Horrified, which was released in Europe through Carcass-owned Necrosis Records, despite having originally been recorded in 1987.
One well-known characteristic of grindcore and related genres is the "microsong;" songs lasting seconds. Clocking in at just over one second long, the Napalm Death song "You Suffer" often credited as being the shortest song ever, and in 2001, the Guinness Book Of World Records awarded Brutal Truth the record for "Shortest Music Video" for 1994's "Collateral Damage." However, others, such as the Cripple Bastards on their demo 94 Flashback di un Massacro and Agoraphobic Nosebleed on their 3" CD/10" LP Altered States of America, have taken this aesthetic to even greater extremes. Altered States of America contains 100 songs, with song length ranging from four seconds to, at most, one minute, adding up to a total play time of about 20 to 30 minutes. American grindcore band Anal Cunt, a project of Seth Putnam, has recorded an album entitled 5643 Song EP, an EP which contains 5643 "songs" in less than 15 minutes by way of creative multitracking and recording processes.
Subgenres
Cybergrind (also known as E-Grind): Cybergrind is a form of grindcore heavily influenced by electronic music that, aside from the instruments used in ordinary grindcore, uses computer generated sounds and/or drum machines and other synthetic instruments. Cybergrind often bears similarities to extreme forms of breakcore.
Deathgrind: A grindcore/death metal hybrid, often with focus on the technicality of death metal and intensity of grindcore. Cattle Decapitation, mid-period Carcass, and recent Napalm Death fall into this genre.
Goregrind: A form of grindcore characterized by pitchshifted vocals as well as gore and/or horror themes. Regurgitate and Reek of Putrefaction era Carcass may be the most well-known of the goregrind groups.
Noisegrind: Grindcore with an emphasis on noise and or speed rather than musicianship. Other features include feedback, out of tune or improvised instruments, and poor production. Most noisegrind bands do not take themselves seriously, and consist of only a few members, normally a vocalist, drummer (or a drum machine), and guitarist. Examples of noisegrind bands include: Anal Cunt, Anal Massaker, and Gore Beyond Necropsy.
Pornogrind: Grindcore characterized by sexual themes, vocals that range from pitchshifted growls to absurdly high-pitched screams, and an emphasis on groove. Pornogrind bands include: GUT, early Cock and Ball Torture, and Gronibard.
Power violence: Grindcore stripped of its thrash metal elements, thus focusing more on its hardcore punk origins. Power violence songs are normally short and fast. Examples of power violence bands include: Charles Bronson and Fuck on the Beach. No relation to power metal or power rock.
Grindpunk: Grindcore and blastbeat drumming mixed with punk rock/hardcore rhythms. Vocals usually range from high screams to low crusty grunts. Lyrics are usually political and social commentary. Examples of Grindpunk are Disassociate from N.Y.C. and Phobia from California.
Wednesday, September 1, 2010
Black Flag - Depression
Right here, all by myself
I ain't got no one else
The situation is bleeding me
There's no relief for a person like me
Depression's got a hold of me
Depression-i gotta break free
Depression's got a hold of me
Depression's gonna kill me
I ain't got no friends to call my own
I just sit here all alone
There's no girls that want to touch me
I don't need your goddamn sympathy
Depression's got a hold of me
Depression-i gotta break free
Depression's got a hold of me
Depression's gonna kill me
Everybody just get away
I'm gonna boil over inside today
They say things are gonna get better
All I know is they fuckin' better
Depression's got a hold of me
Depression-i gotta break free
Depression's got a hold of me
Depression's gonna kill me
Depression's got a hold of me
Depression-i gotta break free
Depression's got a hold of me
Depression's gonna kill me
I ain't got no one else
The situation is bleeding me
There's no relief for a person like me
Depression's got a hold of me
Depression-i gotta break free
Depression's got a hold of me
Depression's gonna kill me
I ain't got no friends to call my own
I just sit here all alone
There's no girls that want to touch me
I don't need your goddamn sympathy
Depression's got a hold of me
Depression-i gotta break free
Depression's got a hold of me
Depression's gonna kill me
Everybody just get away
I'm gonna boil over inside today
They say things are gonna get better
All I know is they fuckin' better
Depression's got a hold of me
Depression-i gotta break free
Depression's got a hold of me
Depression's gonna kill me
Depression's got a hold of me
Depression-i gotta break free
Depression's got a hold of me
Depression's gonna kill me
Lazy Students Leads to lack of Work Ethic
I see it all the time: the caliber of students we get at the undergraduate level, save for the elite few, are nothing but a bunch of lazy students that don't want to work for their grades.
Why they even waste their time (or mine) is beyond my understanding. I guess it's their money to waste as they see fit, but what about me? If I were to be quite honest I'm tired of trying to educate these unteachable, lazy bums. Maybe that's why nearly half of my Algebra class this summer dropped or failed the class (and a vast majority of those who passed got Cs).
Whatever the reason might be, the caliber of undergraduate-level students is in the tank. Most of them are 100% unteachable, and an even bigger chunk of them really have no interest in being in school anyway.
I do, however, have an idea of why this is. I think most undergraduates go to college just so they can get the job they want, and for no other reason. With this mentality, the meaning of what college is supposed to be has been lost. College used to be a place for learning, expanding your horizons, challenging your beliefs, and above all, for academic research. Nowadays it's "give me my degree because I want the job." Undergrads don't care about learning or expanding their horizons, they care about the job at the end of the journey.
With this, it's no wonder that undergraduate curriculum has been dumbed down and bastardized over the years, and further, it's quite obvious as to why the caliber of the majority of the student body is in the tank. Once again, this goes back to colleges accepting virtually anyone instead of only the intellectual elite.
The few that are college material almost invariably go on to grad school in an academic (not business, etc.) field, because then they're there to learn, which is why you should go to college in the first place.
Heaven help me. I'm tired of trying to teach these unteachable, lowlife, good-for-nothing undergrads...
Why they even waste their time (or mine) is beyond my understanding. I guess it's their money to waste as they see fit, but what about me? If I were to be quite honest I'm tired of trying to educate these unteachable, lazy bums. Maybe that's why nearly half of my Algebra class this summer dropped or failed the class (and a vast majority of those who passed got Cs).
Whatever the reason might be, the caliber of undergraduate-level students is in the tank. Most of them are 100% unteachable, and an even bigger chunk of them really have no interest in being in school anyway.
I do, however, have an idea of why this is. I think most undergraduates go to college just so they can get the job they want, and for no other reason. With this mentality, the meaning of what college is supposed to be has been lost. College used to be a place for learning, expanding your horizons, challenging your beliefs, and above all, for academic research. Nowadays it's "give me my degree because I want the job." Undergrads don't care about learning or expanding their horizons, they care about the job at the end of the journey.
With this, it's no wonder that undergraduate curriculum has been dumbed down and bastardized over the years, and further, it's quite obvious as to why the caliber of the majority of the student body is in the tank. Once again, this goes back to colleges accepting virtually anyone instead of only the intellectual elite.
The few that are college material almost invariably go on to grad school in an academic (not business, etc.) field, because then they're there to learn, which is why you should go to college in the first place.
Heaven help me. I'm tired of trying to teach these unteachable, lowlife, good-for-nothing undergrads...
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